sonme scenes from Nana's script Bipolarity, an avant-garde musical
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ACT I - SCENE 1: CROSSROADS
Setting: Denver, Colorado, outside at a pedestrian crossroads like the 16th Street Mall/ Larimer Square. 2005, a couple of years before marijuana was legal in Colorado. Winter-cold. Twilight
OPENING BEAT OF PLAY
(2 Workers each from real estate, health clinic, judicial courts and Petsmart on benches in respective quadrants, on lunch hour, ignoring action)
(Hear screeching tires.)
(Audible gasps from all workers on benches)
(ENTER: JEROME stumbles onto down stage left, bandages on wrists)
(Pills fly out of pill container and onto the floor in front of JEROME)
(Jerome bends down to pick them up- one by one)
JEROME
(Sings slowly, slowly starts taking pills)
Row, row, row your boat, gently down the stream
Merrily, merrily, merrily, merrily. Life is but a dream
A paradigm shifting scheme And when you fall asleep, you awake
(Staggers to bench#2, taking pills one by one, hidden yet deliberately)
(PETSMART workers vacate bench. EXIT)
(JEROME sits down on bench #2)
Quadrant 4 Health Care-Hospital Workers cop #2
Bench # 4
b b
Quadrant 1 e e Quadrant 3
Real Estate workers n n Workers: Judicial
c c
h h
#1 #3
Action bench #2
Cop 1 acts like toreador Quadrant 2 Pet Smart
(ENTER: MICHAEL from down-stage right)
MICHAEL
(Plays bull in toreador interplay with COP 1)
(BEAT) Lo FIN
Be-GIN the Be-GUINE
JUX-ta-pose SCENES
OR-che-strate SCHEMES
NEUR-ons con-NECT
MOR-als in ef-fect
(Bow to COP1)
Give ELDERS due re-spect
JEROME
Row, row, row your boat, gently down the stream.
Merrily, merrily, merrily, merrily
Life is but a dream, A paradigm shifting scheme. (beat) And when you fall asleep, you awake
MICHAEL
(POETRY SLAM with exaggerated hip hop dancing)
DIS-sect ____ re-AL-i-ty,
BI-fur-cate the FAL-la-cy
SYN-chron-ize du-AL-i-ty
AL-ter bel-li-CO-si-y,
A-MEL-li-or-ate a-TRO-ci-ty,
PUNC-tu-ate de-MOC-ra-cy
Re-CAL-ci-trant ve-LO-ci-ty
RE-ver-ENT phi-LO-so-phy,
C OS-mic STEL-lar FAC-to-ry,
PRO-bing frac-tal SUR-gen-cy
MER-ci-ful a-BIL-i-ty,
VA-nish-ing re-DUN-BEN-cy
Con-VERGE op-posing VA-can-cies.
JEROME
(Perks up. SLAMS)
PIX-els, PAX-els, WHEELS and AXLES SOULS a-LIVE, NO sur-PRISE
MICHAEL
(Interacts with JEROME)
PIX-els, PAX-els, WHEELS and AXLES SOULS a-RISE, GRAND re-PRISE
JEROME
GRAND re-PRISE, SOULS a-RISE
(Increased interaction SLAM, MICHAEL and JEROME)
MICHAEL
(stomp) SO-lar FLAR-ing
JEROME
(stomp) NA-ture DAR-ing
MICHAEL
(stomp) o-VERT-ly CAR-ing
JEROME
(stomp) fac-TOR-i-al SHAR-ing
MICHAEL
(stomp) GOD pro-POSES
JEROME
(stomp) RIS-ing ROSES
MICHAEL
(stomp) THORN op-POSES
JEROME
(stomp) MICH-ael’s MOSES
PIX-els, PAX-els, WHEELS and AXLES
SOULS a-LIVE, NO sur-PRISE
MICHAEL
PIX-els, PAX-els, WHEELS and AXLES
SOULS a-RISE, GRAND re-PRISE
TEAR my hair OUT. WHY do I SHOUT?
Our WORLD’S in a DROUGHT. We MUST come a-BOUT
JEROME
HI-jacked MEDS
Bipolar and AIDS
No HOS-pi-tal BEDS
(BEAT) HOPE FADES
MICHAEL
Money disap-PEAR-ring, be-GUINE bar-ri-CADES.
(COPS 1 and 2 close in on MICHAEL and JEROME, cuffs in hand)
(JEROME puts out wrists to be cuffed. MICHAEL notices bandages)
(MICHAEL shakes head “no” to Cops/JEROME)
(MICHAEL moves down road. Pulls JEROME out of path of Cops)
(MICHAEL fakes lf, then rt, rt then lf, then which way-Past COPs 1 & 2 )
(MICHAEL mimics being speared)
(COP 2 laughs playful with MICHAEL)
(MICHAEL turns, signals for JEROME to come with him.)
(JEROME waves him off and shakes head NO)
(MICHAEL blows air in hands and rubs. Shivers)
(MICHAEL does jumping jacks to EXIT under scaffolding)
JEROME
(Turning over empty pill bottle)
Life, (beat). It’s a dream. (beat) A paradigm shifting scheme (beat)
And when you fall asleep, you awake
(Lies down on bench)
Dis-solving- WALLS, Running start,
WATER falls, the world takes HEART.
(Curls into fetal position)
Throwing DARTS, bull ahead.
Piercing point, End of dread .
(Collapse. Falls off bench)
(Real estate and legal workers stand watching at their bench)
(Health care RN and PA rush over to help)
WORKER-RN
(Grabs JEROME’s hand for a pulse, notices wrists)
Quick! Let’s get him to the hospital. These are fresh bandages.
COP 1
(Picks up bottle)
Looks like he’s doing drugs.
COP 2
(Picks JEROME’s pocket, gets wallet. Takes bottle from COP 1)
(Matches name on bottle with license)
I’d say illegal possession of a controlled substance. The name on the bottle and the name on the driver’s license don’t match.
COP 1
I was gonna take him down to the police station. Let him sleep it off there.
RN-WORKER
This is not a “sleeping it off” kind of thing!
PA-WORKER
We need to get him to an ER fast. This young man needs medical attention now! Help us lift him. Our ER is right behind here.
(All on stage help carry JEROME’s droopy body to the ER under scaffolding)
(EXIT all)
(LIGHTS OUT)
(Remove benches and crossroads indicators)
SCENE 2: WOODLAWN APARTMENTS
Setting - Apartment complex parking lot- 6a the following morning
(IN-VOICE________ ON TOP. MICHAEL center stage- performing platform, sitting on floor)
(MICHAEL/IN-VOICE________ pop up same time/same pose)
(IN-VOICE________ mimes everything MICHAEL says and does in whole scene)
MICHAEL
(IN-VOICE________ mimes his talking)
(Pick up phone. Dials. Phone rings x3. Talk into it)
DAD
(Downstage. Picks up phone)
Hell-o
MICHAEL
(Excitedly, pressured speech…fast. Frolicking around)
Hey, Dad. Whattya’ doin’? I called to tell you how great you are. (beat) How amazing that you eat sliced turkey sandwiches and three Oreo cookies every day for lunch. (beat) How you…
DAD
Mike, it’s six o’clock. Are you CRAZY?
IN-VOICE________
(Sing-song in style of the nursery rhyme… still frolicking around)
(MICHAEL mimes his talking and actions)
Six, six, six…pence, a pocketful of die.
Plenty, plenty flap jacks and a cherry pie.
When the pie was opened, the king began to sing.
DAD
Michael, are you all right? Where are you?
IN-VOICE________ (MICHAEL mimes his talking )
Now wasn’t that a dain-ty, dain-ty,
(Confused...has forgotten words)
MICHAEL
Dain-ty, dain-ty, ME?
DAD
Michael! I’m worried about you. Where are you?
MICHAEL (IN-VOICE________ mimes MICHAEL’s talking)
Hey, Dad.
(Sing song-y)
Don’t worry. Be happy.
I called to tell you that I think you’re great. (beat) You love pool. (beat) You love bowling. (beat) You love tennis. (beat) You love to eat dinner every night at six. Hey, you said it was 6 now. You must be eating dinner? Sorry for interrupting. Do you want me to call you back later?
DAD
No, Mike. I am NOT eating dinner. It’s six in the MORNING! What are you doing up? Where are you? No one’s seen or heard from you for over a week. We’ve been worried sick!
MICHAEL (IN-VOICE________ mimes his talking)
Six in the morning? But, it’s still dark out. How could it be morning?
DAD
Stop a second and listen carefully. Can you tell me where you are right now?
MICHAEL (IN-VOICE________ mimes his talking)
Yeah, I’m at Jim’s.
DAD
Jim, who?
MICHAEL (IN-VOICE________ mimes his talking)
Jim from high school, who used to live next door to Mom.
DAD
Can I talk to Jim?
MICHAEL (IN-VOICE________ mimes his talking)
No. He’s in his apartment.
DAD
Then, where are you?
MICHAEL (IN-VOICE________ mimes his talking)
(Looking around immediate surroundings)
I’m in a parking lot.
DAD
This is the first any of us have heard from you since you left your mother’s.
MICHAEL
No, I call Grandma so she can tell you I’m OK.
DAD
(Trying to get emotions under control)
Yes, you did. Thank you for that. Now, where does Jim live? Does the place have a name?
MICHAEL (IN-VOICE________ mimes his talking)
Wait a second. I see a sign.
(Walking over to look at the sign)
DAD
Good, good.
MICHAEL
It says “Woodlawn Apartments two-zero-four-five” (pause) Do you want me to read you this whole thing?
DAD
Yes, yes! That would be great. Read the WHOLE thing!
MICHAEL (IN-VOICE________ mimes his talking)
“Woodlawn Apartments, two-zero-four-five DRAYS-DEN Road.”
Hey, Drays-den Road.
Dr. Dre must have a DEN here.
Dr. Dre comes out to play.
Dr. Dre, El Pres-i-den-te!
The country’s slipping away from his grasp and his task.
El Presidente has to clean up the world in a tisket a tasket.
I gotta go to the basket, I mean, bathroom.
Bye now, Dad. Have a great day.
(MICHAEL/IN-VOICE________ hang up. Each saunters to far rt, peeing pose. FREEZE)
(DAD freezes)
(MOM enters sleepily. Looks for phone, realizes “it’s the phone.” Turns on light.)
(Picks up the receiver)
MOM
(Groggy, quizzically squints)
HUL-LO?
DAD
(Unfreeze)
Michael just called. (pause) If you want to see your son alive again, you’d better get yourself down to 6th and Dresden right now. Michael’s completely out of his mind.
MOM
He called you; don’t you think he’d rather see you than me? He ran away from my house, remember?
DAD
You know I’ll never find the place. I have no sense of direction. Besides, I think the car’s low on gas.
MOM
You’re kidding me, right?
DAD
Look, Meg! You didn’t hear him. He’s completely crazy. He’s talking gibberish. Something‘s really wrong with him. You gotta go and figure this all out. (beat) I better get off or I’ll wake Darcy. She and I have to work today. You’ve got Ben to go with you.
MOM
Ben’s in California at a retreat and I don’t really care if Darcy-schmarcy has to work today. We ALL have to work today!
DAD
You know what I mean.
MOM
(shaking head in exasperation)
No, not really.
DAD
I’ll call the HMO and see what they suggest you do when you pick him up.
MOM
Look, I’m leaving. If he’s really sick, we’re heading straight for the ER. You can meet us there or not.
(Gets steering wheel and circles around, under the scaffolding)
(DAD EXITS)
MICHAEL (IN-VOICE________ mimes his talking)
(UNFREEZES)
I am feeling fine—happy, actually, on top of the world. I just talked with my dad. He’s doing great!
(Jumps up on a car hood hip hop dancing freestyle to the music in his head)
My brain moves fast and then my brain moves faster.
I’m the number one receiver and the number one passer.
Britney’s the best but she knows I’ll outlast her.
When my tour hits your city
(three arms movements, each with a stomp)
I’m a natural disaster!
(pause) Holy shit! That looks like my mother driving into the parking lot. How did she know where to find me?
(MICHAEL prancing/frolicking/dancing on hood. IN-VOICE________ ON TOP mimics)
(MOM pulls her car up to the one Michael’s standing on)
MOM
Hey, Mike.
IN-VOICE________
She never calls him Mike!
MOM
(Matter-of-factly-not angry, not demanding, even a little soft, mom-like)
Get in the car.
MICHAEL (IN-VOICE________ mimes his talking)
(A good few seconds contemplating jumping down and getting in the car)
(Recalling past events, MICHAEL turns on a flash. Stomps away)
(Screaming w/a deviled face)
You kicked me out! You let me go! You don’t want me back. I’m not coming down off this hood (pause) and I am NOT getting into the car. I’m not going anywhere with you!
(MICHAEL/IN-VOICE________ pantomiming ranting in background, as MOM speaks.)
MOM
(Pleasing, pleadingly, stays calm. Motions for MICHAEL to get down and into car)
I didn’t kick you out. YOU left. Anyway, that was then. This is now. We have a whole different set of circumstances working here. You’ve been away for over a week. Don’t you think it’s time to try to solve our differences in another way, not with you living at Jim’s apartment? You are still my son and I love you and I want to make sure you’re OK.
(IN-VOICE________/MICHAEL indignant Peter Pan pose. Staring at action)
(MICHAEL/IN-VOICE________, like reminding selves “ no, don’t go with her.”)
MICHAEL (IN-VOICE________ mimes his talking)
I’m doing just fine, thank you
MOM
Michael, it’s 6 in the morning. You’re standing on the hood of a car that’s not yours or mine, in the middle of an apartment complex parking lot and it’s freezing cold outside. February is an awful time to be gallivanting around without a coat. At least come down and get in the car to warm up.
MICHAEL (IN-VOICE________ mimes his talking)
I’m not cold.
MOM
Maybe not yet… it’s warm in here and we can talk better. We’ve all missed you. We’ve been very worried.
MICHAEL (IN-VOICE________ mimes his talking)
I called Grandma to let you know I was OK. She told me she’d tell you.
MOM
Yes, thanks. She called us every time you called her. That was very thoughtful of you. She was very worried, too.
MICHAEL (IN-VOICE________ mimes his talking)
You know I love Grandma! I didn’t want her to worry.
MOM
Yes, I know you love Grandma. (beat) But, now it’s time to get in the car.
(MOM, IN-VOICE________, MICHAEL—miming a continued conversation, acting possessed like something is taking over their bodies while talking to one another)
(MICHAEL/IN-VOICE________ start swirling in circles)
MICHAEL (IN-VOICE________ mimes his talking)
Crash. Boom. Bash—I am flying out of the universe,
(IN-VOICE________, MICHAEL still swirling)
(MOM collapses over steering wheel)
​
Three songs from the show:
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#1
JEROME
(Yells. Hands in the air)
It’s Lo FIN, Be-GIN the be-GUINE.
(MUSIC starts 8 BARS intro)
MICHAEL
(BEAT) Lo FIN,
Be-GIN the be-GUINE.
JEROME
JUX-ta-pose SCENES.
OR-ches-trate SCHEMES.
MICHAEL
NEU-rons con-NECT.
MOR-als in ef-FECT.
JEROME/MICHAEL
Give ELDERS due re-SPECT.
JEROME
DI-ssect re-AL-i-ty.
BI-fur-cate the FALL-al-lacy.
MICHAEL
SYN-chro-nize du-AL-i-ty.
AL-ter bel-li-COS-si-ty.
JEROME
a-MELIO-rate a-TRO-ci-ty.
PUNC-tu-ate de-MOC-ra-cy.
MICHAEL
Re-CAL-citrant ve-LOC-i-ty.
REV-e-nant phi-LOS-o-phy.
JEROME
COS-mic stellar FACT-or-y,
PROB-ing fractal SUR-gen-cy
MICHAEL
MER-ci-ful a-BIL-i-ty.
VAN-ish-ing re-DUN-dan-cy.
JEROME/MICHAEL
Con-VERGE op-POS-ing VA-can-cies.
(intro 6 BEATS to chorus)
JEROME
Pixels, paxels, wheels and axles
Souls alive, no surprise.
MICHAEL
Pixels, paxels, wheels and axles
Souls arise, grand reprise.
JEROME
(BEAT) solar FLAR-ing.
(BEAT) nature DAR-ing
MICHAEL
O-VERT-ly CAR-ing,
fac-TOR-ri-al SHAR-ring
JEROME
(BEAT) god pro-POSES,
(BEAT) ris-ing ROSES
MICHAEL
(BEAT) thorn op-POSES,
(BEAT) Michael’s MOSES
JEROME
GAND-di-esque THEMES
Ne-CESS-i-tates DREAMS
MICHAEL
SCRIBED on REAMS,
Al-MIGHTY re-DEEMS.
JEROME
Es-CAP-ing the MAZE
Re-CEIVES high PRAISE.
MICHAEL
PER-me-ates HAZE,
Pan-DEM-ic GAZE.
JEROME
RIGID STAYS
Me-DI-ci-nal DAYS.
MICHAEL
Pro-to-TYP-i-cal EYES
not PIERC-ing the SKY
JEROME
WRINKLES im-PEDED.
L’INGLE de-FEATED
(intro 4 BEATS to chorus)
JEROME
Pixels, paxels, wheels and axles
Souls alive, no surprise.
MICHAEL
Pixels, paxels, wheels and axles
Souls arise, grand reprise.
JEROME
TEAR my hair OUT.
WHY do I SHOUT?
MICHAEL
WORLD’S in a DROUGHT.
We MUST come a-BOUT.
JEROME
Fill PAGES with WORDS.
At-TACH them to BIRDS.
MICHAEL
HI-jacked MEDS,
In-SID-i-ous AIDS,
JEROME
No HOS-pi-tal BEDS,
(BEAT) hope FADES.
MICHAEL
MONEY dis-ap-PEAR-ing,
Be-GUINE bar-ri-CADES
JEROME
Dis-SOLV-ing WALLS,
a RUN-ing START.
MICHAEL
WATER FALLS
The WORLD takes HEART.
JEROME
THROW-ing DARTS,
BULL a-HEAD.
MICHAEL
PIERC-cing POINT,
JEROME/MICHAEL
(BEAT) end of DREAD.
(JEROME/MICHAEL dive/fall opposite shoulders to DOCKERS’ arms)
(EVERYONE: gasps audibly, then cheers/screams with joy)
(On backs. JEROME lifts fists into the air. MICHAEL follows gesture-same
(Crowd goes wild)
(LIGHTS OUT)
​
#2
FINALE
All-cast – BIPOLARITY
(JEROME/MICHAEL/IN-VOICE________ ON TOP)
(ALL CAST dance in choreographed unison)
(MUSIC starts abruptly, first two guitar chordsx1 of Pinball Wizard by The WHO)
MICHAEL
With SO many HOOKS, I’m CASSIOUS the CAPTAIN
JEROME
With SO much CASH I CAN’T stop LAUGHIN’
MICHAEL
With SO much LAUGH-ter, thank GOD I’m a RAP-per
ALL CAST
Your SISTER I MACKED her….
her BOY-friend’s no FACTOR
(BEAT BEAT BEAT)
MICHAEL
If LIFE were CHESS and we PLAYED for our LIVES
JEROME
BeTWEEN you and I, FISH-er sur-VIVES
Till we MEET in the FINALS and he RUNS and HIDES.
ALL CAST
I’ve PASS-ed all the TESTS; we KNOW who’s the BEST
If there are ANY tests LEFT? leave ‘um AT the front DESK
(BEAT BEAT BEAT)
JEROME
The KING of the WEST, always FULL of one LINERS.
MICHAEL
Born to DIE for the NINERS, wanna SMACK the PACKERS.
FARVE’S a SLACKER, Mon-TANA’S the MAS-ter.
JEROME
If GIRLS are re-CEIVE-ers, I’m the NUM-ber one PASS-er.
MICHAEL
I LIKE ‘um from SMITH but I’ll TAKE ‘um from VASS-ar.
JEROME
If their BRAIN moves FAST, my BRAIN moves FAST-er.
ALL CAST
BRIT-ney’s the BEST, but she KNOWS we’ll out-LAST her.
When “r “ TOUR hits your CITY,
(BEAT BEAT BEAT)
We’re a NAT-tral dis-ASTER
“R” brains moves FAST, and then “r” BRAINS move FAST-er
JEROME
we’re the NUMB-er one re-CEIVERS and the NUMB-er one PASS-ers
MICHAEL
BRIT-ney’s the BEST But she KNOWS we’ll out-LAST her.
ALL CAST
When “r” TOUR hits your CITY,
(BEAT BEAT BEAT)
WE’RE a natural disaster!
MICHAEL/JEROME
WE run TOURS;
YOU seek GUIDES.
ALL CAST
WE play DOMES;
YOU play DIVES.
MICHAEL
HAVING nine LIVES
the LEO am I
STEP on STAGE;
I DARE you to TRY
ALL CAST
WE fly HIGH;
you STRUGG-le to get BY.
TELL yourself you’re COOL;
I like to HEAR fools LIE.
JEROME
MY, oh, MY,
my words go DOWN like PIE.
They’re HOT, they’re FRESH
but I’m NO baked GUY
MICHAEL
Y’ALL run in PACKS,
you CLAIM to strap GATS.
JEROME
I’m the LEAD-er of the PACK;
the GREAT White at-TACKS.
ALL CAST
“R” brains moves FAST,
and then “r” BRAINS move FAST-er
JEROME
I’m the #1 receiver
and the #1 passer
MICHAEL
Britney’s the best
But she knows I’ll outlast her.
ALL CAST
When “r” TOUR hits your CITY,
(BEAT BEAT BEAT)
We’re a NA-tral dis-ASTER!
(BOWS – eliminating cast from stage and singing)
JEROME
I fill BACKPACKS with GREEN backs, sport TOMMYs with KAKS
MICHAEL
my UNCLE’S my ac-COUNT-ant, so I NEV-er pay TAX.
JEROME
I’m seein’ ONE-eyed JACKS etched on PLAT-tinum PLAQUES.
MICHAEL
I run the MA-trix; YOU are the HACKS.
JEROME
I VER-ify the TRUTH “USE ME,” I’m SEAL-ing WAX.
MICHAEL
Smith and WES-son in-SURES, SEE them on the racks.
JEROME
ProTECTED by my ADZE, it’s a TWO-headed ZAX
MICHAEL
(Looks straight into Jerome’s eyes)
WATCH me turn my BACK
(turns HIS back to JEROME)
JEROME
I test LIMITS to the MAX.
MICHAEL/JEROME
My BRAIN moves FAST,
and then my BRAIN moves FAST-er
I’m the NUMB-er one re-CEIV-er
and the NUMB-er one PASS-er
BRIT-ney’s the BEST
But she KNOWS I’ll out-LAST her.
When “r” TOUR hits your CITY,
(BEAT BEAT BEAT)
WE’RE a natural disaster
(Take their bows)
#3
LA-SHAWN
Connecting cyber-spatially to the worlds around them, with a spanking new song, and I mean spanking, take a magic carpet ride into cosmic CONSCIOUSNESS. Give it up for the TRANSFORMERS, Mav-rick Mike and Just Jerome, morphing into the extreme.
(Prancing around/singing. IN-VOICE________/ LA-SHAWN playful with each other)
(MICHAEL/JEROME hip hop free style)
(MUSIC STARTS 8 bar INTRO)
JEROME
HOW would you ACT
if every ACT-tion’s re-PORTED?
THOUGHTS re-CORDED,
GOOD deeds re-WARDED?
MICHAEL
Take a SEC-ond to re-VIEW
WHAT has been SAID.
Every SEC-ond, they’re TAP-ped
IN-side your HEAD.
JEROME
MAY-be not CAUGHT,
you ES-cape the LAW.
Shot a MAN in the BACK,
NO-body SAW.
MICHAEL
But THAT’S the POINT,
someone AL-ways SEES.
No eye WIT-ness, PLEASE
Ex-cept for WIRES in TREES
JEROME
If for EV-ry bad DEED
you spent a YEAR in HELL.
How MUCH illegal STUFF
WOULD you still SELL?
MICHAEL
If for EV-ry LIE,
you FELL down the LINE?
For HEAV-en’s SAKE,
would you ACT more KIND?
JEROME
If you KNEW you were WATCH-ed,
and KARMA took PLACE,
How MANY of YOU
would try and HIT e-RASE?
MICHAEL
You see, these THOUGHTS turn ACID
into a BASE, no TRACE.
So, I PEN with the FURY
of the HU-man RACE.
Be-FORE I’m dis-PLACED.
JEROME
LIV-ing as THOUGH
I’m being VIDEO-TAPED.
Using WORDS and THOUGHTS
as my in-VIS-i-ble CAPE.
ME and POTTER
taming HYPER-SPACE
(4 beats/2bars THEN 3 beats of sticks)
JEROME/MICHAEL
(From ladders):
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-scious-NESS
a-CROSS the VEIL,
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-science (BEAT)
isn’t IN the MAIL.
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-science (BEAT)
isn’t UP for SALE.
(Crack of leather whip by IN-VOICE________ ON TOP)
Let’s SHOW the WORLD
we WILL not FAIL.
(Crack of leather whip by IN-VOICE________ ON TOP)
REACH-ing OUT
a-CROSS the SEA.
(Crack of leather whip by IN-VOICE________ ON TOP)
REACH-ing (BEAT)
for com-MUN-i-TY.
(Crack of leather whip by IN-VOICE________ ON TOP)
My ACTS show YOU
how I will BE.
(Crack of leather whip by IN-VOICE________ ON TOP)
The CHOICE is YOURS,
MICHAEL/JEROME/IN-VOICE________
I WILL be ME
(LA-SHAWN EXITS down ladder)
(JEROME/MICHAEL/IN-VOICE________/DOCKERS as ROBOTS dance in unison)
JEROME
KIDS get HIT
by PAR-ents who DRINK.
Not ABLE to ES-cape
this ge-NE-tic LINK.
MICHAEL
They CHOOSE not to THINK
or o-BEY the LAW
LIGHT gone to DARK-ness
is WHAT I just SAW.
IN-VOICE________
A CAR full of KIDS
HIT by a TRAIN.
POINT “oh” TWO
Im-PAIR-ing his BRAIN
JEROME
TURN-ed six-TEEN
just TWO days be-FORE.
Stole a BOTT-le of JACK,
Six-PACK, (BEAT)
NO-body SAW
MICHAEL
AL-ready LAUGH-ing
as he STRUTS out the DOOR.
a whole CAB-i-net, GRAB-bin’ it.
No CARE for the LAW
IN-VOICE________
They HARD-ly SEE
what BAD has been DONE.
Giving this NEW ge-ner-RA-tion
its OWN loaded GUN.
JEROME
CARS are CRASH-ed;
BRAINS bashed IN.
PREG-nant WO-men,
lives NEV-er be-GIN.
MICHAEL
BLOOD-y-ing MIR-a-cles,
SIN after SIN.
MICHAEL/JEROME/IN-VOICE________
(Demonstrative pose-shout it)
WHO really WINS?
IN-VOICE________
There is NO next of KIN.
(4 beats/2bars THEN 3 beats of sticks)
JEROME/MICHAEL
(From ladders):
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-scious-NESS
a-CROSS the VEIL,
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-science (BEAT)
isn’t IN the MAIL.
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-science (BEAT)
isn’t UP for SALE.
(Crack of leather whip by IN-VOICE________ ON TOP)
Let’s SHOW the WORLD
we WILL not FAIL.
(Crack of leather whip by IN-VOICE________ ON TOP)
REACH-ing OUT
a-CROSS the SEA.
(Crack of leather whip by IN-VOICE________ ON TOP)
REACH-ing (BEAT)
for com-MUN-i-TY.
(Crack of leather whip by IN-VOICE________ ON TOP)
My ACTS show YOU
how I will BE.
(Crack of leather whip by IN-VOICE________ ON TOP)
The CHOICE is YOURS,
MICHAEL/JEROME/IN-VOICE________
I WILL be ME
JEROME
KNOW-ing all NAZIS
will IN hell be BURN-ed,
A FATE we all FEEL
they’ve RIGHT-ful-ly EARN-ed.
MICHAEL
KNOW-ing all RAP-ists
will GET that DATE,
In HELL they’re pinned DOWN.
NEV-er to ES-cape.
IN-VOICE________
WIFE beaters BEAT,
KILLERS are KILL-ed.
One THOUS-and times OVER,
BLOOD will be SPILL-ed.
JEROME
Mo-LEST-ers mo-LEST-ed,
NONE for-GIVEN.
You’ve CREATED the HELL
that we ALL must LIVE in.
MICHAEL
We SHOULD be a-SHAME-ed,
so I NOW seek CHANGE.
It’s STRANGE to KNOW
I’m JUDG-ed in LIFE,
IN-VOICE________
MOR-als not BUDG-ed,
self-SAC-ri-FICE.
JEROME
I’ve GOT my PAST
you’ve GOT yours, TOO.
The REAL question IS
what WILL we both DO?
MICHAEL
Our MYS-try ge-ne-RA-tion
sees the GLASS not THERE.
They see GLARE, un-a-WARE,
no REA-son to CARE.
IN-VOICE________
They LIVE like BEARS
wake UP (BEAT)
SPRING’S in the AIR.
JEROME
HERE’S a DARE,
from ME to YOU
And from YOU to ME
“HOUR” ge-ne-RA-tion
of MYS-te-RY,
IN-VOICE________
To-GETHER (BEAT)
MICHAEL/JEROME/IN-VOICE________
Let’s make HIS-to-RY.
(4 beats/2bars THEN 3 beats of sticks)
JEROME/MICHAEL
(From ladders):
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-scious-NESS
a-CROSS the VEIL,
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-science (BEAT)
isn’t IN the MAIL.
(Crack of leather whip by IN-VOICE________ ON TOP)
CON-science (BEAT)
isn’t UP for SALE.
(Crack of leather whip by IN-VOICE________ ON TOP)
Let’s SHOW the WORLD
we WILL not FAIL.
(Crack of leather whip by IN-VOICE________ ON TOP)
REACH-ing OUT
a-CROSS the SEA.
(Crack of leather whip by IN-VOICE________ ON TOP)
REACH-ing (BEAT)
for com-MUN-i-TY.
(Crack of leather whip by IN-VOICE________ ON TOP)
My ACTS show YOU
how I will BE.
(Crack of leather whip by IN-VOICE________ ON TOP)
The CHOICE is YOURS,
MICHAEL/JEROME/IN-VOICE________
I WILL be ME
(MUSIC STOPS)
(IN-VOICE________ freeze pose)
(JEROME /MICHAEL dive/fall shoulder first into arms of DOCKERS)
(EVERYONE: gasps audibly)
(JEROME/MICHAEL on backs. JEROME lifts fists into air. MICHAEL follows suit)
(The crowd goes wild)
(DOCKERS to TOP)
(LIGHTS OUT)